I have a secret love that only my closest friends know. I don’t think my parents know. Very few colleagues know. Most people would be very surprised to learn about it; some even shocked. Underneath the business attire, despite the fact that I’m a preacher’s kid, and even after 20+ years and two degrees in classical music, I can’t deny how much I LOVE Outkast.
In part 1 of this series, I broke down the highlights of ‘Kast’s debut Southernplayalisticadillacmuzik. Part 2 is now long overdue. Today I’ll be focusing on the incredible sophomore effort, ATLiens.
Southernplayalisticadillacmuzik was a unique and, I’d argue, better than average first effort. But in the grand scheme of things, that album was just a talented 9th grader playing on the varsity team: it showed skill, promise and enthusiasm, but it was unproven. ATLiens, on the other hand, which dropped in August 1996 (actually, on the other dope boy’s birthday. Happy birthday, Versastylist. You’ve already been helped), is all the proof you would need to trade as many prospects and future picks as it takes to move way up in the draft to take this future hall of famer. This album proved what Andre and Big Boi were capable of: a huge learning curve over the previous 3 years and the potential to eclipse every other artist in the genre.
“If you don’t want to be challenged by your hip-hop, ATLiens is not the album for you; matter of fact OutKast is not the group for you. They refuse to be conventional in a world of formulaic mediocrity, which may make them harder to grasp but ultimately makes them that much better to listen to.”
Steve ‘Flash’ Juon
Continue reading →